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                       Furthermore, mosaic is interpreted as an art form that uses small pieces of colored

                       stone and glass, called tessera (plural: tesserae), to create designs or pictures set in
                       cement. In antiquity, mosaics were created primarily to decorate architectural surfaces

                       such  as  floors,  walls,  and  vaults.  Examples  have  been  found  in  a  wide  range  of
                       contexts,  including  palaces,  houses,  baths,  mausoleums,  synagogues,  and  churches

                       (Olbrantz, 2009, p.3). Additionally, Piermattei (n.d.) states that mosaic is a technique

                       of  decorating  architectural  surfaces  using  pebbles,  small  worked  stones,  terracotta,
                       and pasta vitrea (glass paste), which are juxtaposed and fixed on a layer of plaster or

                       other  binding  materials.  These  are  applied  to  smooth  surfaces  decorated  with
                       geometric  motifs  and/or  figures.  Mosaic  decoration  is  particularly  suited  to  large,

                       even surfaces such as pavements, walls, vaults, and ceilings (Piermattei, n.d.).


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                       The origins of the mosaic art form are very ancient and date back to the 4 and 3
                       millennium  BC  where  a  mosaic  decoration  created  with  small  terracotta  wedges
                       painted  in  red,  white  and  black  were  found  in  the  Mesopotamian  area  (Piermattei,

                       n.d.).  After  the  early  fourth  century,  Christians  began  decorating  churches  with
                       mosaics. They introduced the use of glass tesserae which were often backed with gold

                       and thus had a shimmering quality (New Standard Encyclopedia: 542). The Oxford

                       Companion to Art states that “mosaics of a kind were made 5,000 years ago by the
                       Sumerians,  who  ornamented  their  houses  and  temples  with  cones  of  coloured

                       terracotta sunk into the mud plaster of the outer wall” (The Oxford Companion to Art,
                       1978: 743).



                       Furthermore, the mosaic art form has developed through various periods, adapting to
                       different subjects and features. The Encyclopedia Americana states that “the mosaic

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                       technique continued to  be practiced in  Italy from  the Renaissance through the 19
                       century  and  sporadically  elsewhere,  it  was  largely  restricted  to  repairs,  virtuoso

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                       reproductions  of  paintings  of  paintings,  and  small  decorative  panels.  In  the  20
                       century there has been a revival of mosaic in two very different forms. On one hand,
                       mosaic has reappeared as an industrialized process for decorating bathrooms, garden

                       pools,  swimming  pools,  and  other  facilities  that  require  water  proof,  hygienic
                       surfaces”. Moreover, The Encyclopedia Americana states that that “mosaic has made

                       a spectacular return as an elegant, highly visible way of decorating the large blank
                       exteriors of modern buildings” (The Encyclopedia Americana, 1990: 485).


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