Page 265 - Proceedings book
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               Stūpa

               The  Stūpa is  the characteristic monument  of the Sri Lankan Buddhist  tradition.  Its
               antiquity,  both  in  the  literary  and  the  archaeological  record  goes  back  to  the

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               beginnings of the Buddhist tradition in Sri Lanka in the 3  Century BC. The largest of
               the  Sri  Lankan  stūpas,  such  as  the  Jetavana,  the  Abhayagiri  and  Ruvanvalisäya  in

               Anuradhapura, are not only the largest monuments of their type in the entire Buddhist

               tradition but are also amongst the largest and tallest constructions in the pre-modern
               world. Throughout the greater part of the Anuradhapura period, the Stūpa occupied

               the principal position in a monastery (Bandaranayke, 1990: p.25).


               Mosaic art

               Mosaic is an art form that involves decorating a surface by closely placing pieces of
               hard  materials.  Various  definitions  have  been  given  for  the  term  “mosaic.”  The

               Oxford Companion to Art (1978) defines mosaic as “the art of making patterns and
               pictures  by  arranging  coloured  fragments  of  glass,  marble,  and  other  suitable

               materials and fixing them into a bed of cement. It was first developed extensively by
               the  Romans  in  pavements”  (The  Oxford  Companion  to  Art,  1978:  742).  The

               Dictionary  of  Art  defines  mosaic  as  “closely  spaced  polychrome  or  monochrome

               particles (tesserae) of near uniform size embedded in binder, such as mortar or cement,
               Mosaic has been used as a decorative medium on walls, floors and columns for over

               5000  years.  A  wide  range  of  natural  and  artificial  materials  may  be  used  for  the
               tesserae: pebbles, hardstone shells, vitreous paste, terracotta, mother-of-pearl, enamels

               and turquoise” (The Dictionary of Art, 1996: 154).


               The  New  Encyclopaedia  Britannica  (2010)  defines  mosaic  as  “an  art,  surface

               decoration of small coloured components, such as stone, mineral, glass, tile, or shell
               closely  set  into  an  adhesive  ground.  The  mosaic  pieces  are  usually  small  squares,

               triangles,  or  other  regular  shapes  (called  tesserae),  which  applied  to  the  surface,

               frequently a wall or floor, which has been prepared with mortar or adhesive to receive
               the  design”  (The  New  Encyclopaedia  Britannica,  2010:  345).  The  New  Standard

               Encyclopedia defines mosaic as “a permanent decoration formed with small pieces of
               such materials as glass, stone or tile. Mosaics are primarily architectural ornaments

               applied to ceilings, walls and floors of buildings. They are also used to decorate such
               objects as bowls, table tops and ashtrays” (New Standard Encyclopedia: 542).


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