Page 357 - Proceedings book
P. 357

q
                cd;sl mqrdúoHd iu¿j 2025
               Data  Analysis:  Qualitative  analysis  combines  content  and  narrative  analysis  to

               identify themes, silences, and patterns in both museum materials and visitor responses.
               Quantitative analysis categorizes sentiment from visitor reactions, using descriptive

               statistics to highlight trends in public perception.


               Sampling  Limitations:  This  study  acknowledges  a  disparity  in  the  volume  of

               available visitor feedback between the USHMM and the PVMWM. As of April 20,
               2025, the USHMM had accumulated 16,362 visitor reviews, compared to only 94 for

               the PVMWM.  To facilitate a balanced  comparison, the latest  94 USHMM  reviews
               were selected to match the number of PVMWM reviews. While this approach ensures

               numerical  parity,  it  limits  the  representativeness  of  the  findings,  particularly  in
               assessing broader public perception and engagement with the USHMM.


               3. Case Studies: Museums Narrating Violent History


               Museums that engage with histories of violence hold significant power in constructing
               collective memory and influencing pathways toward societal reconciliation, justice, or

               further  division.  Their  curatorial  choices  are  never  neutral;  rather,  they  reflect
               underlying  political,  cultural,  and  ethical  frameworks  that  shape  how  societies

               remember, grieve, and envision their futures. Institutions such as the Kigali Genocide
               Memorial  in  Rwanda  promote  narratives  of  remembrance  and  reconciliation  by

               documenting  the  genocide  against  the  Tutsi  and  emphasizing  a  forward-looking

               message of unity. Similarly, the Hiroshima Peace Memorial Museum in Japan centers
               its narrative on the catastrophic human consequences of nuclear warfare, advancing a

               vision  of  global  peace  and  disarmament.  In  Cambodia,  the  Tuol  Sleng  Genocide
               Museum  (formerly  S-21  Prison)  offers  an  unflinching  portrayal  of  the  atrocities

               committed under the Khmer Rouge, positioning itself as a site of education, memory,

               and moral warning against political extremism. These museums illustrate the diverse
               ways  in  which  memory  work  can  either  foster  empathy  and  solidarity  or  entrench

               political agendas, depending on the framing and inclusiveness of their narratives. This
               section  introduces  two  case  studies,  each  representing  contrasting  approaches  to

               curating violent pasts.










                                                       336
   352   353   354   355   356   357   358   359   360   361   362