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                       Depictions  of  Somana  (Chintz)  textiles  in  Thotagamuwa  Thelwattha  temple  &

                       Kathaluwa Purwaramaya temple


                       In  temple  painting  murals  in  Thotagamuwa  Thelwaththa  temple  and  Kathaluwa
                       Purwaramaya  temple,  Indian  Chintz  cloth  or  Somana  is  commonly  draped  over

                       bodies  of  individuals  of  varying  social  classes,  hence  pictorially  reflecting  social

                       hierarchies and divisions. The nobles and the wealthy are dressed in highly decorated
                       and patterned Somana cloth, with rich motifs and bright colors, indicating their high

                       social standing and wealth. Conversely, the working classes are portrayed in simple
                       and less ornate materials to signify their inferior position in society.


                       In narrative themes such as folk tales or Jathaka stories depicted in mural painting,

                       the employment of Somana cloth is a popular motif. The exhibition and employment
                       of  such  fabrics  in  such  compositions  are  derived  from  the  social  status  of  the

                       individuals depicted. Individuals of noble or royal descent are often depicted wearing

                       ornate somana textiles, while the commoners are generally depicted in attire of a less
                       showy  nature,  appropriate  to  their  lower  social  ranks.  The  line-by-line  detailing  of

                       cloth usage in mural painting reflects the social stratifications and cultural sensitivities

                       of the period, contributing to overall narrative and visual enhancement of the piece.


                       In Kathaluwa Purwaramaya Viharaya, somana cloths are adorned with profusion of
                       ornamental motifs, dominated by a variety of flowers depicted in stylized as well as

                       realistic fashion, in various combinations. The very detailed border of the cloth, with
                       triangles and vine-like motifs, seems to be the most complex part of the garment.


                       Similarly, in Thotagamuwa Thelwaththa Viharaya, the embroidery on Somana cloths

                       is diverse and dense. Delicate sprays of flower stems and stems of flowering creepers

                       curl softly together, while delicate geometric floral patterns in vivid greens and reds
                       command attention. Triangles found in successive series framing the cloth draw the

                       eye, contributing to a sense of balance and attractiveness. Nothing is more striking
                       than lines of identical flowers in bloom skillfully sketched to resemble the folds of

                       sashes and scarves, providing a beautiful and distinct accent to the design as a whole.






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