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A Comparative Study: Marginalized Sri Lankan Historical Female
                       Icon,  ‘Ehelepola  Kumārihāmy’  through  the  Lenses  of  Sri  Lankan

                       historians  and  Contemporary  Historical  Sri  Lankan  Sinhalese
                       novelist.


                       Pabasara Ponnamperuma
                       Temporary Lecturer, Department of English Language Teaching, University of Kelaniya, Sri
                       Lanka.
                       p.ponnamperuma95@gmail.com.



                             Key words              Abstract

                        Contemporary novel          Ehelepola  Kumārihāmy  has  been  identified  as  one  of
                         Ehelepola Kumārihāmi       marginalized Sri Lankan historical feminine figures. Sri Lankan
                                                    historical  records  have  been  showcased  that  she  had  been
                        Female icon                 marginalized because of the unfair punishment which had been
                                                    offered by king, Sri Wickrama rajasinghe. She had been ordered
                        Marginalized woman
                                                    to pound own children through her hands. Not only that she had
                         Sri Lanka                  been unfairly killed by king as a response to riotous deed of her
                                                    husband,  Ehelepola  Adikar  including  rejection  of  king’s  unfair
                                                    intimate request. Purpose of research is to investigate one of the
                                                    marginalized  historical  female  icons  in  Sri  Lankan  history,
                                                    ‘Ehelepola  Kumārihāmi  ’  in both  Sri  Lankan  historical  records
                                                    and  contemporary  historical  Sri  Lankan  Sinhalese  novels.
                                                    Accordingly, this research pursues research question as follows,
                                                    ‘how does one of the marginalized historical female icons in Sri
                                                    Lankan  history,  ‘Ehelepola  Kumārihāmi’  portray  in  both  Sri
                                                    Lankan historical records and contemporary historical Sri Lankan
                                                    Sinhalese novels.’ The methodology uses a qualitative research
                                                    design. Both narratives of Priyanka Amarathunga’s Kumārihāmi
                                                    1  and  Kumārihāmi  2  will  be  analyzed  using  thematic  analysis
                                                    along  with  portrayal  of  Ehelepola  Kumārihāmi  that  which  is
                                                    referred in a few selected Sri Lankan historical records including,
                                                    The Life of Ehelepola by T.B Pohath Kehelpannala, Trisinhala,
                                                    the  last  phase  which  was  written  by  P.E  Peiris  and  Ehelepola
                                                    Devenirajjuruwo  which  is  written  by  Anura  Manathunga.  The
                                                    findings of the present study revealed a few themes which can be
                                                    categorized into two dimensions as follows: the tragic massacre
                                                    of Ehelepola Kumārihāmi and the sections of popular historical
                                                    romance  novelist’s  historical  imagination.  The  first  dimension
                                                    reveals the themes, Sri Wickrama’s vendetta with the family of
                                                    Ehelepola,  the  chastity  of  Ehelepola  Kumārihāmi  and  the
                                                    inhuman massacre. Subsequently, the second dimension reveals
                                                    that  chastity,  deep  love  for  children  and  husband,  romance
                                                    between the husband and the wife and the brave and the proud
                                                    lady. In reference to the historical records and the narrative of the
                                                    historical  contemporary  novelist,  Ehelepola  Kumārihāmi  was  a
                                                    marginalized  woman  who  had  sacrificed  own  life  over  the
                                                    Ehelepola family because of the personal grudge of the king, Sri


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