Page 169 - Proceedings book
P. 169
q
cd;sl mqrdúoHd iu¿j 2025
Paranavitana, S. (1970). Inscriptions of Ceylon (Vol. 1). Colombo: Department of
Archaeology Ceylon.
Premathilake, L. (1995). The heritage of Sri Lankan bronze sculpture. Colombo: Department
of National Museum.
Prematilleke, L. (1995). Mahāyāna Buddhism in Sri Lanka: The archaeological evidence. In J.
Guy (Ed.), Indian art & connoisseurship. Indira Gandhi National Centre for the Arts in
association with Mapin Publishing Pvt. Ltd.
Reedy, C. L. (1997). Himalayan bronzes: Technology, style and choices. University of
Delaware Press.
Reedy, C. L., & Harlacher, S. (2007). Elemental composition of Sri Lankan bronzes:
Technological style and change. In J. G. Douglas, P. Jett, & J. Winter (Eds.), Scientific
research on the sculptural arts of Asia: Proceedings of the Third Forbes Symposium at the
Freer Gallery of Art (pp. 67–78). Washington, DC: Freer Gallery of Art, Smithsonian
Institution.
Strahan, D. (2023). Casting the Buddha across Southern Asia. Advances in Archaeomaterials,
4, 100029. https://www.sciencedirect.com/science/article/pii/S2667136024000025
Von Schroeder, U. (1990). Buddhist sculptures of Sri Lanka. Hong Kong: Visual Dharma
Publications.
Von Schroeder, U. (1992). The golden age of sculpture in Sri Lanka: Masterpieces of
Buddhist and Hindu bronzes from museums in Sri Lanka. Hong Kong: Visual Dharma
Publications.
Wikramagamage, C. (1990). Two schools of Buddha image in Sri Lanka. Ancient Ceylon,
(12), 6.
Zwalf, W. (1985). Buddhism: Art and faith. London: British Museum Publications Ltd.
148